
I adore the Christmas season. I love the music, the baking, the decorations. The days grow short and the nights are long and dark with the murky atmosphere of mystery and film noir. Enough light seeps between the cracks in my Venetian blinds to remind me that life, filled with jolly revelers, is going on outside my door. I curl up with a steaming brew (dolloped with something special) and lose myself with the tough guys and gals of classic cinema.
First up, 1944s Christmas Holiday starring Deanna Durbin and Gene Kelly. A movie with that title and those stars leads the mind to a Lake Placid resort featuring a tap dance on skates to Jingle Bells and a heartwarming Ave Maria solo. No. The musical side of my soul must seek elsewhere for that sort of entertainment. A Somerset Maugham story was the basis for Herman Mankiewicz's screenplay, a story of deceit and obsession. Noir master Robert Siodmak directed and this places among his best in that time-honoured style, The Killers, Criss Cross, Phantom Lady, and Cry of the City.

Deanna Durbin and Gene Kelly
Reliable "everyman" Dean Harens plays Lt. Mason, a young soldier about to be sent overseas. On the eve of what he thought was to be his wedding a "Dear John" letter spurs him to thoughts of revenge. A storm detours his plane to New Orleans where he is befriended by drunken (aren't they all?) newspaperman Simon Fenimore played by future director (Champagne for Caesar, TVs My Three Sons) Richard Whorf. Fenimore thinks the lieutenant needs to drown his sorrows and takes him to a dive run by Gladys George who introduces him to jaded gal singer Jackie Lamont played by Durbin.
Jackie has her own troubles. Let's start with the fact that her real name is Abigail and she's running from something, running from herself. She fell in love with a charmer by the name of Robert Manette played by Kelly. Manette, in turn, had his own issues with narcissism, gambling and mother. Mother is played by Gale Sondergaard so you know off the bat that something is off-kilter in the family tree.

Deanna Durbin with Dean Harens
The rain-soaked Christmas Eve and Christmas Day Lt. Mason spends with Abigail as she recounts life with a murderous hubby and imperious mother-in-law prove to be life-changing for the young man and intriguing storytelling for the viewer.
Gene Kelly channels his famous energy and charm into the wastrel Manette. His attraction to lonely Abigail is understandable. Deanna Durbin's trademark perkiness is nowhere in view as we see her tentatively reaching for happiness and shutting down when life slaps her in the face. Her perfunctory delivery of Frank Loesser's Spring Will Be a Little Late This Year when we first meet her in the nightclub shows us her weariness. The later rendition of Irving Berlin's Always is a heartfelt glimpse into her pining heart.
I am struck when watching Christmas Holiday how so many private things occur in such very public places. Abigail and Robert meet and fall in love in the upper gallery of a crowded concert hall. The final crash of the safe world Abigail thought she had found is in a courtroom filled with spectators. It is in church on Christmas Eve that Abigail finds the strength to start to break down. What private calamities and victories will be going on around us during this busy season?