Saturday, April 30, 2011

Hollywood Haikus Competition Entry #2

The gathered suspects

Tremble 'neath Inspector's glare

"You are murderer!"

This is an entry for the Best For Film Hollywood Haikus blogging competition. Enter now.

Happy second place finish for Inspector Chan:

Friday, April 29, 2011

Hollywood Haikus Competition Entry

Ride the High Country

Respect was their due

Danger and death their payment

Enter justified

This is an entry for the Best For Film Hollywood Haikus blogging competition. Enter now.

Contest results:

Wednesday, April 20, 2011

TV Westerns and the 1959 Emmy Awards

The three top rated prime time television programs in the 1958-1959 season were Gunsmoke, Wagon Train and Have Gun - Will Travel. If you were not in the mood for a western, it was best not to turn on your t.v. because you were sure to run into a marshal or a bounty hunter or a rancher. The big three networks (remember ABC, CBS and NBC?) gave you a selection of westerns every night of the week.

Sunday: Maverick, Lawman, Colt .45
Monday: The Texan, The Restless Gun, Tales of Wells Fargo
Tuesday: Cheyenne/Sugarfoot/Bronco, The Life and Legend of Wyatt Earp, The Rifleman, The Californians
Wednesday: Wagon Train, Bat Masterson
Thursday: Zorro, The Rough Riders, Yancy Derringer, Dick Powell's Zane Grey Theatre, Jefferson Drum
Friday: The Adventures of Rin Tin Tin, Tombstone Territory, Buckskin, Man Without a Gun, Rawhide
Saturday: Wanted: Dead or Alive, Have Gun - Will Travel, Gunsmoke, Cimarron City
Syndicated: Death Valley Days

The Emmy Awards have always had a fluid nature to deal with trends and at their 11th awards ceremony, for the first and only time in its history, they presented an award for Best Western Series. The award is particularly gratifying for fans of a genre that is generally dismissed when award time rolls around. Let's have a look at the five nominees.

Gunsmoke (1955-1975) was the senior member of the pack in the fourth of its 20 season run. Created by Norman Macdonnell and John Meston as a radio program in 1952, the first "adult" western brought to life stories of lawman Marshal Matt Dillon played by James Arness bringing law and order to the wild cow town of Dodge City.

Matt agonized over the job that had to be done and found solace with his "family". Saloon gal/later owner Kitty Russell was played by the vibrant Amanda Blake.

Curmudgeonly, yet caring "Doc" Adams was played by movie veteran Milburn Stone. Dennis Weaver scored a big hit with fans as Chester Goode. Chester was a sort of unofficial deputy who fretted about his friend Mister Dillon. He was easy with gossip and just as quick to help whenever trouble arose. In Dodge City there was trouble around every corner.

The fourth season found Matt suspended from duty on charges of murder in Matt for Murder, Matt as a whodunnit buster in The Patsy, and Matt opposing a crooked judge in Letter of the Law. We learned more about Kitty's background in Kitty's Rebellion and lived through the unthinkable in Doc Quits.

Our second nominee, Have Gun - Will Travel (1957-1963), was in its second season at Emmy time. If you are going to write about a Knight of the Plain, well how about a genuine Paladin. Sam Rolfe's so named gun (and brains) for hire was a brilliant and tough man played by a talented and charismatic actor. In a television universe of affable, good looking cowboys, Richard Boone stood alone. Not the most handsome of men, he carried himself like God's gift and, by golly, didn't the guest star ladies all go for him! Where there were dozens of earnest cowpokes willing to lend a stranger a helping hand, Paladin could make you feel like a skunk for hiring him.

The second season found our hero dealing with Comanches, Apaches, drought, angry mobs, shady mine claims, woman's suffrage, feuds, hidden treasure and Oscar Wilde. Nothing was beyond his capabilities. The series also made the transition to radio in 1958 and lasted until 1960 starring John Dehner.

Maverick creator Roy Huggins came up with this winning formula by turning the standard western on its ear. His earlier creation, Cheyenne, featured the loner who travels from town to town and finds himself calming troubled waters.

The Maverick brothers Bret and Bart, the perfectly teamed James Garner and Jack Kelly, were a couple of gamblers who were anything but loners, with their own humorous code and a way with the ladies. Of course, sometimes the ladies got the better of the lads, but it caused them no soul searching. The second season saw such classic episodes as Shady Deal at Sunny Acres wherein every good looking con artist whoever crossed paths with the Mavericks got together to help Bret out of a jam, and the priceless Gunsmoke spoof written by Marion Hargrove (See Here, Private Hargrove), Gun-Shy.


Developed by Sam Peckinpah and in its debut season, The Rifleman (1958-1963) told the story of rancher Lucas McCain, widowed father to son Mark, trying to raise his son with strong values of right and wrong. Rancher McCain just happened to be an extraordinarily fine shot with his Winchester and, unfortunately, trouble seemed drawn to their town of North Fork often putting Lucas and/or Mark in harm's way.

Chuck Connors, co-star the same year in William Wyler's The Big Country, starred as Lucas and young Johnny Crawford, nominated for a supporting actor Emmy (losing to Gunsmoke's Dennis Weaver), played Mark.

Lucas was intent on raising Mark to be strong and sure, yet tolerant and open-minded. He was ably assisted by a family of townsfolk including former alcoholic lawman Micah Torrence played by veteran Paul Fix and shopkeeper Hattie Denton played by Hope Summers.

Wagon Train (1957-1965) was another rating topper in its second season. Ward Bond (featured player in every movie ever made!) found stardom as Major Seth Adams, the wagon master. The gruff Major Adams inspired confidence in viewers and in the people he led from Missouri to California. Along those treacherous trails, we learned the stories of the guest stars.

Handsome actor/singer Robert Horton was trail scout Flint McCullough, an introspective man who could handle the romance and the action that kept the show and those wagons moving.

Stuntmen turned actors, Frank McGrath played put upon cook Charlie Wooster and Terry Wilson played scout and second-in-command Bill Hawks. These two actors were the constant through the program's years on the air.

The second season featured such episodes and guest stars as Lou Costello's final screen appearance in The Tobias Jones Story, Jane Wyman in The Dr. Willoughby Story, Rhonda Fleming in The Jennifer Churchill Story, Sessue Hayakawa in The Sakee Ito Story, Anne Baxter in The Kitty Angel Story and Bette Davis in The Ella Lindstrom Story.

The May 6th, 1959 ceremony saw the only Emmy awarded for Best Western Series going to Maverick, the show that was created to spoof the standard western. Who knew that blue-ribbon panels had an appreciation for irony?

Thanks to DVDs, specialty channels, and the internet, many classic television westerns are available for audiences today. They not only provide a nostalgic treat for some but are a welcome alternative to over-the-top crime dramas, souped-up game shows, and trashy celeb fests that currently populate the airwaves.

Sadly, season DVD sets of the magnificent Maverick are still a far-off dream.*

* That far-off dream came true in May 2012 with the release of Maverick: The Complete First Season on DVD.  Now we just have to wait for the rest of the series!

Friday, April 8, 2011

Favourite movies: The Kidnappers (1953)

A movie can become a family heirloom or treasure whose oft-quoted lines become part of how you communicate. 1953s The Kidnappers sometimes known as The Little Kidnappers is such a movie. My late father, when pouring a glass of milk, would say he was "tapping the goat". That might seem an odd thing to say to someone who hasn't seen The Kidnappers, but to us, it would be odd if he didn't say it.

Neil Paterson adapted the screenplay from his own short story Scotch Settlement. The film was shot in England by director, later producer, Philip Leacock. Highly thought of at the time of its release, The Kidnappers young stars Jon Whiteley and Vincent Winter were each awarded Honorary (juvenile) Oscars. The film was nominated for the Grand Prize of the Festival at Cannes. BAFTA nominations included Best British Actor for Duncan Macrae, Best British Film and Best Film From Any Source.

Vincent Winter, Jon Whiteley
Honorary Oscar Winners

Set in Nova Scotia at the turn of the 20th century, the story of The Kidnappers concerns two orphaned brothers from western Canada sent to live with their grandparents in Nova Scotia. Harry (Jon Whiteley), the eldest brother is serious and thoughtful. Newly five Davy (Vincent Winter) is lively and curious. The granddaddy, Jim MacKenzie (Duncan Macrae), is not a mean man, but one who has found in his way in life through discipline and hard work. He has never learned the art of relating to the young.

MacKenzie's hardbound ways drove his son away who married and settled at the far end of the country. Prior to their mother's death from illness, young Harry and Davy's father was killed in the Boer War. Jim MacKenzie's bitterness at his son's death is heightened by a land dispute with Dutch neighbours, the Hoofts. His daughter Kirsty's (Adrienne Corri) affection for the widowed Dr. Bloem (Theodore Bikel) doesn't have a chance under her father's harsh family rule.

Vincent Winter, Jon Whiteley, Jean Anderson
Duncan Macrae, Adrienne Corri

The lonely youngsters ask their granddaddy for a dog and the old man dismisses the idea. It is simply not practical and to illustrate his position he explains to the boys that "you can't eat a dog". Fearsome as Jim MacKenzie seemed to the boys before, this pronouncement turns him into an ogre.

The neighbouring Hooft children are many and when playing, the youngest is inadvertently left alone. A sense of duty toward the abandoned tyke and joy at having something to love turn Harry and Davy into little kidnappers.

Davy: "Are we going to keep it forever?"
Harry: "I don't know... We'll keep it for a year or two anyways, until it's got a mind of its own - and then, if it wants to hit the trail, there won't be no stopping it."

Anthony Michael Heathcoat as Baby Girl Hooft
Vincent Winter

The last act of the movie concerns the impact of the loss, the search for the baby, and the discovery of the perpetrators. Lessons are learned and lives are changed.

The Kidnappers is a unique story, charmingly told with affection for human nature and an unassuming wit. A true treasure from the trove of classic films.


Terence Towles Canote at A Shroud of Thoughts is hosting The 8th Annual Favourite TV Show Episode Blogathon . The popular blogathon is runn...